MSC 171Theory I: Fundamentals
Bilkent Müzik dersi. Genelde yalnızca Güz'de açılır, son 5 yılda yaz okulunda açılmadı. Şube başına ortalama 13 öğrenci.
- kredi3· 5 ECTS
- haftalık4 saat4 ders
- son 5 yıl ort.2,41B- ↗
- açılıryalnızca Güzson 5 yıl
- 2026-2027 Güz1 şube· 5 boş yer
2026-2027 Güz şubeleri15/20 dolu · %75
- 1Yiğit Aydınbu dersteki ortalaması 2,41
- Pzt 13:30–15:20P-249
- Per 08:30–10:20P-249
5 boş · 15/20
Saat ızgarası Pazartesi–Cuma, 08:30'dan itibaren; mavi lab, mor online, gri yedek (spare) saat. Kontenjan STARS offerings'ten her gün alınır; kesin bilgi SRS'te.
Ön koşullar ve açtığı derslerkatalogda ön koşul yok
Almak için
Ön koşulu yok, doğrudan alınabilir.
- ön koşul
- yok
- doğrudan açtığı
- 1 ders
- dolaylı dahil
- 21 ders
Ön koşullar STARS kataloğundaki ifadeden okunur; eş koşul, izin ve not şartları dahil değil. Kartın altındaki not o dersin başka neye ihtiyaç duyduğunu söyler.
Not ortalaması5 yıl 2,41 · 10 yıl 2,49 · 2008'den beri 2,32
- Güz / Bahar ortalaması
- son 5 yıl 2,41
- dikey gölge: şube aralığı · nokta büyüklüğü: öğrenci sayısı
Şubelere göre dağılım
Bir noktanın üstüne gel ya da dokun: şube ve hocası görünür.
Her nokta bir şube. Yatay çizgi en düşük–en yüksek, dikey çizgi ortanca; soluk noktalar 10 öğrenciden az olan şubeler.
Dönem tablosu 10 dönem
| Dönem | Şube | Öğrenci | Ders ort. | Şube aralığı |
|---|---|---|---|---|
| 2025-2026 Güz | 1 | 10 | 2,70 | 2,70 |
| 2024-2025 Güz | 1 | 13 | 2,35 | 2,35 |
| 2023-2024 Güz | 1 | 16 | 2,21 | 2,21 |
| 2022-2023 Güz | 1 | 10 | 2,68 | 2,68 |
| 2021-2022 Güz | 1 | 14 | 2,31 | 2,31 |
| 2020-2021 Güz | 1 | 11 | 2,76 | 2,76 |
| 2019-2020 Güz | 1 | 10 | 2,58 | 2,58 |
| 2018-2019 Güz | 1 | 11 | 2,70 | 2,70 |
| 2017-2018 Güz | 1 | 7* | 2,50 | 2,50 |
| 2016-2017 Güz | 1 | 5* | 2,26 | 2,26 |
Dönem ortalaması STARS'ın "Course GPA" değeri (o dönemin tüm şubeleri). Çok yıllık ortalama dönem ortalamalarının öğrenci sayısıyla ağırlıklı ortalaması; "son 5 yıl" içinde bulunulan akademik yıldan önceki 5 tam yıl. 10 öğrenciden az olan dönemler (*) dahil ama soluk. Final tekrar dönemleri dahil değil.
Hocalara göre2021–2026 · 1 hoca
- Yiğit Aydınbu dönem5 dönem · 63 öğrenci · son 2025-2026 Güz2,41
Hocanın tek başına verdiği şubelerin öğrenci sayısıyla ağırlıklı STARS şube ortalaması. Soluk satırlar 20 öğrenciden az notlu veriye dayanır.
Değerlendirme ve FZ2026-2027 Güz syllabus'ı · koordinatör Yiğit Aydın
- %20MdT1
- %20MdT2
- %10ICP
- %50Fnl
Students whose unattendance is equal to or more than 40% of all contact hours throughout the semester take the letter grade FZ and are not allowed to take the final exam. Also note that unattendance between 20-40% leads to some form of reduction in the letter grade and that below 20% is tolerated.
syllabus'taki metin, olduğu gibiECTS iş yükü: dönem başına 154 saat.
MSC 171 not hesaplayıcısı hazır
MdT1 %20 · MdT2 %20 · ICP %10 · Fnl %50Ders içeriği
Fundamentals of music theory: elements of pitch and rhythm, triads and seventh chords, chord-labeling. Fundamentals of voice-leading and consonant harmony: principles of voice-leading, part-writing for triads in root-position and inversion, harmonic progression and the sequence. Cadences, small formal units, and non-chord-tones.
Haftalık konular 14 hafta
- Fundamentals / Elements of Pitch: Octave registers • Notation on the staff • Scales and key signatures • Scale degree names • Intervals • Inversion of intervals • Consonance and dissonance of harmonic intervals • Ear-Training (ET)
- Elements of Rhythm: Definitions of Rhythm, beat, tempo • Durational symbols • Meter • Simple and compound beats • Simple and compound time signatures • Irregular time signatures, i.e. "aksak" meter • Rhythmic grouping with respect to meter • ET
- Triads and Seventh Chords: Triads • Seventh chords • Inversions of chords • Inversion symbols and figured bass • Alteration of the fifth • Chords with omitted fifth and/or root • Some chords comprising diminished third, i.e., augmented sixth, as an intervallic chord member • ET
- Diatonic Chords in Major and Minor Keys | Introduction to Chord-labeling: Diatonic triads in major • Diatonic triads in minor • Diatonic seventh chords in major scale • Diatonic seventh chords in minor scales • Special situations and labeling exceptions pertaining to seventh scale degree in the minor mode • Altered chords in major and minor keys : Alteration of root and/or any other chord member, especially that of fifth • ET • Review of hitherto covered subject matter for MdT1
- MdT1: triads and seventh-chords, diatonic and altered chords in major and minor keys, chord-labeling; ET; 30 pts. • Aftermath of MdT1
- Consonant harmony / Principles of Voice Leading: The melodic line and notating chords • Voicing a single triad • Similar and parallel motion – parallel, unequal, contrary and direct (hidden) 5ths and 8ves • Triads in root: Bass harmonization with simple melodic lines (1) • ET
- Root Position Part Writing: Repeated roots • Some general strategies: Handling of common tones, considerations of voice leading (of the leading tone and other tendency tones, etc.) • Roots a 4th (5th) apart • Roots a 3rd (6th) • Roots a 2nd (7th) apart • Some special situations and their recommended handling • Harmonic functions and the harmonic progression: tonic, dominant, sub- or predominant, and their respective harmonic regions, the mediants • Triads in root: Bass harmonization (2) • ET
- Harmonic Progression and the Sequence / The Problem of Harmonizing a Melodic Line: Introducing some general perspectives and analytical approaches: Elements of form, perspective of a main functional region, tonic prolongation, dominant prolongation and standing on the dominant, circle of 5ths progression, descending 3rds progression, harmonic goal and cadences, etc. • Sequences • The I and V chords • The II chord • The VI chord • The III chord • The VII chord • The IV chord • Common exceptions • Differences in the minor mode • The relative major and minor • More about harmonic sequences • Triads in root: Soprano harmonization with simple melodic lines (1) • ET
- Considerations of the harmonic progressions supporting tight-knit thematic units or looser formal regions • Triads in root: Soprano harmonization (2) • ET • Review of hitherto covered subject matter for MdT2
- MdT2: triads and seventh-chords, diatonic and altered chords in major and minor keys, chord-labeling; bass and soprano harmonization with triads in root; ET; 20 pts. • Aftermath of MdT2
- Triads in First Inversion (1): Bass and soprano harmonization with triads in root and first inversion • Some special aspects of first inversion triads and their use • Part writing • Considering soprano-bass counterpoint • ET
- Triads in First Inversion (2): Bass and soprano harmonization with more elaborate examples • Formal considerations • ET
- Triads in Second Inversion (1): Bass and soprano harmonization with triads in root, first and second inversions • Bass arpeggiation and the melodic bass • Three common usages of the second inversion triad: The cadential, the passing, and the neighbor or pedal six-four • Considerations of part writing • ET
- Triads in Second Inversion (2): Phrase structure, cadence, and harmonic rhythm • Tonic and dominant prolongational progressions • Phrases without cadential closure • A general view on musical form (phrases, theme, tight-knit and looser formal regions, etc.) • Some ideas on motive, phrase, period, sentence, hybrid and compound themes, small binary and small ternary • Bass and soprano harmonization with longer and more difficult examples • ET • Review of hitherto covered subject matter for Fnl
Ders kitabı 7
- Course Book - Textbook: Tonal harmony : with an introduction to twentieth-century music, Kostka, S. M.; Payne, D.; Almén, B., 2013/7th, McGraw-Hill
- Required - Textbook: Workbook for tonal harmony : with an introduction to twentieth-century music, Kostka, S. M.; Payne, D.; Almén, B., 2013/7th, McGraw-Hill
- Recommended - Listening: Tonal harmony : with an introduction to twentieth-century music (2 CDs), Kostka, S. M.; Payne, D.; Almén, B., 2013/7th, McGraw-Hill
- Recommended - Textbook: Traité d'harmonie théorique et pratique, Dubois, T., 1921, Heugel
- Recommended - Textbook: Harmony, Piston, W.; DeVoto, M., 1987/5th, Norton
- Recommended - Textbook: Harmonic practice in tonal music, Gauldin, R., 2004/2nd, Norton
- Recommended - Textbook: Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beeth, Caplin, W. E., 1998, Oxford University Press
Müfredatlarda3 program
- MüzikMusic · lisanszorunlu · 1. yıl güz
- Turizm ve Otel İşletmeciliğiTourism and Hotel Management · lisansGeneral Elective
- MüzikMinor Program for Music Performance · yan dalzorunlu · courses
Sık sorulanlar
MSC 171 dersinin ön koşulu nedir?
STARS kataloğunda MSC 171 için ön koşul belirtilmemiş.
MSC 171 kaç kredi, kaç ECTS?
MSC 171 3 Bilkent kredisi ve 5 ECTS. Haftalık 4 saat yüz yüze ders.
MSC 171 hangi dönemlerde açılır?
Genelde yalnızca Güz'de açılır, son 5 yılda yaz okulunda açılmadı. 2026-2027 Güz döneminde 1 şube ile açık.
MSC 171 not ortalaması kaç?
MSC 171 dersinin son 5 akademik yıldaki ortalaması 2,41 (B-); 63 öğrencinin notundan, STARS'ın dönem ortalamaları öğrenci sayısıyla ağırlıklandırılarak hesaplandı.
MSC 171 FZ şartı nedir?
2026-2027 Güz syllabus'ına göre: Students whose unattendance is equal to or more than 40% of all contact hours throughout the semester take the letter grade FZ and are not allowed to take the final exam. Also note that unattendance between 20-40% leads to some form of reduction in the letter grade and that below 20% is tolerated.
Veri STARS'ın herkese açık sayfalarından (offerings, katalog, ders geçmişi, syllabus) otomatik alınır. Şube, hoca ve kontenjan değişebilir; kesin bilgi için SRS'yi kontrol et.